The Taj Mahal is a mausoleum located in Agra, India, built by Mughal Emperor Shah Jahan in memory of his favorite wife, Mumtaz. The Taj Mahal is considered the finest example of Mughal architecture, a style that combines elements from Persian, Indian, and Islamic architectural styles While the white domed marble mausoleum is its most familiar component, the Taj Mahal is actually an integrated complex of structures. Building began around 1632 and was completed around 1653, and employed thousands of artisans and craftsmen.The construction of the Taj Mahal was entrusted to a board of architects under imperial supervision including Abd ul-Karim Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri. Lahauri is generally considered to be the principal designer.In 1631, Shah Jahan, emperor during the Mughal Empire's period of greatest prosperity, was griefstricken when his third wife, Mumtaz Mahal, died during the birth of their fourteenth child, Gauhara Begum. Construction of the Taj Mahal began in 1632, one year after her death. The court chronicles of Shah Jahan's grief illustrate the love story traditionally held as an inspiration for Taj Mahal.The principal mausoleum was completed in 1648 and the surrounding buildings and garden were finished five years later. Emperor Shah Jahan himself described the Taj in these words:
Should guilty seek asylum here,
Like one pardoned, he becomes free from sin.
Should a sinner make his way to this mansion,
All his past sins are to be washed away.
The sight of this mansion creates sorrowing sighs;
And the sun and the moon shed tears from their eyes.
In this world this edifice has been made;
To display thereby the creator's glory.
The Taj Mahal incorporates and expands on design traditions of Phitectuersian arcre and earlier Mughal architecture.
GREAT WALL OF CHINA
The Great Wall of China is a series of stone and earthen fortifications in northern China, built, rebuilt, and maintained between the 5th century BC and the 16th century to protect the northern borders of the Chinese Empire during various successive dynasties. Since the 5th century BC, several walls have been built that were referred to as the Great Wall. One of the most famous is the wall built between 220–206 BC by the first Emperor of China, Qin Shi Huang. Little of that wall remains; the majority of the existing wall were built during the Ming Dynasty.The Great Wall stretches from Shanhaiguan in the east to Lop Nur in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. The most comprehensive archaeological survey, using advanced technologies, has recently concluded that the entire Great Wall, with all of its branches, stretches for 8,851.8 km (5,500.3 mi). This is made up of 6,259.6 km (3,889.5 mi) of sections of actual wall, 359.7 km (223.5 mi) of trenches and 2,232.5 km (1,387.2 mi) of natural defensive barriers such as hills and rivers.[ The Chinese were already familiar with the techniques of wall-building by the time of the Spring and Autumn Period, which began around the 8th century BC. During the Warring States Period from the 5th century BC to 221 BC, the states of Qi, Yan and Zhao all constructed extensive fortifications to defend their own borders. Built to withstand the attack of small arms such as swords and spears, these walls were made mostly by stamping earth and gravel between board frames. Qin Shi Huang conquered all opposing states and unified China in 221 BC, establishing the Qin Dynasty. Intending to impose centralized rule and prevent the resurgence of feudal lords, he ordered the destruction of the wall sections that divided his empire along the former state borders. To protect the empire against intrusions by the Xiongnu people from the north, he ordered the building of a new wall to connect the remaining fortifications along the empire's new northern frontier. Transporting the large quantity of materials required for construction was difficult, so builders always tried to use local resources. Stones from the mountains were used over mountain ranges, while rammed was used for construction in the plains. There are no surviving historical records indicating the exact length and course of the Qin Dynasty walls. Most of the ancient walls have eroded away over the centuries, and very few sections remain today. Later, the Han, Sui, Northern and Jin dynasties all repaired, rebuilt, or expanded sections of the Great Wall at great cost to defend themselves against northern invaders.
The Great Wall concept was revived again during the Ming Dynasty following the Ming army's defeat by the Oirats in the Battle of Tumu in 1449. The Ming had failed to gain a clear upper-hand over the Manchurian and Mongolian tribes after successive battles, and the long-drawn conflict was taking a toll on the empire. The Ming adopted a new strategy to keep the nomadic tribes out by constructing walls along the northern border of China. Acknowledging the Mongol control established in the Ordos Desert, the wall followed the desert's southern edge instead of incorporating the bend of the Huang He.
PETRA
Petra is a historic and archaeological city in the Jordanian governorate of Ma'an that has rock cut architecture and water conduits system. Established sometime around the 6th century BC as the capital city of the Nabataeans , it is a symbol of Jordan as well as its most visited tourism attraction. It lies on the slope of Mount Hor in a basin among the mountains which form the eastern flank of Arabah (Wadi Araba), the large valley running from the Dead Sea to the Gulf of Aqaba. Petra was chosen as one of the New Seven Wonders of the World in 2007 and a World Heritage Site since 1985. Petra was chosen by the BBC as one of "the 10 places you have to see before you die". The site remained unknown to the Western world until 1812, when it was introduced to the West by Swiss explorer Johann Ludwig Burckhardt. It was described as "a rose-red city half as old as time" in a Newdigate Prize-winning sonnet by John William Burgon. UNESCO has described it as "one of the most precious cultural properties of man's cultural heritage.
Pliny the Elder and other writers identify Petra as the capital of the Nabataeans, Aramaic-speaking Semites, and the centre of their caravan trade. Enclosed by towering rocks and watered by a perennial stream, Petra not only possessed the advantages of a fortress, but controlled the main commercial routes which passed through it to Gaza in the west, to Bosra and Damascus in the north, to Aqaba and Leuce Come on the Red Sea, and across the desert to the Persian Gulf. Excavations have demonstrated that it was the ability of the Nabataeans to control the water supply that led to the rise of the desert city, creating an artificial oasis. The area is visited by flash floods and archaeological evidence demonstrates the Nabataeans controlled these floods by the use of dams, cisterns and water conduits. These innovations stored water for prolonged periods of drought, and enabled the city to prosper from its sale. Although in ancient times Petra might have been approached from the south via Saudi Arabia on a track leading around Jabal Haroun ("Aaron's Mountain"), across the plain of Petra, or possibly from the high plateau to the north, most modern visitors approach the site from the east. The impressive eastern entrance leads steeply down through a dark, narrow gorge (in places only 3–4 m (9.8–13 ft) wide) called the Siq ("the shaft"), a natural geological feature formed from a deep split in the sandstone rocks and serving as a waterway flowing into Wadi Musa. At the end of the narrow gorge stands Petra's most elaborate ruin, Al Khazneh (popularly known as "the Treasury"), hewn into the sandstone cliff. A little further from the Treasury, at the foot of the mountain called en-Nejr, is a massive theatre, so placed as to bring the greatest number of tombs within view. At the point where the valley opens out into the plain, the site of the city is revealed with striking effect. The amphitheatre has been cut into the hillside and into several of the tombs during its construction. Rectangular gaps in the seating are still visible. Almost enclosing it on three sides are rose-colored mountain walls, divided into groups by deep fissures, and lined with knobs cut from the rock in the form of towers.
CHRIST THE REDEEMER
Christ the Redeemer is a statue of Jesus Christ in Rio de Janeiro, Brazil; considered the largest art deco statue in the world. The statue stands 39.6 meters (130 ft) tall, including its 9.5 meters (31 ft) pedestal, and 30 meters (98 ft) wide. It weighs 635 tons (700 short tons), and is located at the peak of the 700 meters (2,300 ft) Corcovado mountain in the Tijuca Forest National Park overlooking the city. It is one of the tallest of its kind in the world. The statue of Cristo de la Concordia in Cochabamba, Bolivia, is slightly taller, standing at 40.44 meters (132.7 ft) tall with its 6.24 meters (20.5 ft) pedestal and 34.20 meters (112.2 ft) wide. A symbol of Catholicism, the statue has become an icon of Rio and Brazil. It is made of reinforced concrete and soapstone. The idea for erecting a large statue atop Corcovado was first suggested in the mid 1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea and it was completely dismissed in 1889, when Brazil became a Republic, with laws mandating the separation of church and state. The second proposal for a landmark statue on the mountain was made in 1921 by the Catholic Circle of Rio. The group organized an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The donations came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. The statue of Christ the Redeemer with open arms was chosen. Local engineer Heitor da Silva Costa designed the statue; it was sculpted by French sculptor Paul Landowski. A group of engineers and technicians studied Landowski's submissions and the decision was made to build the structure out of reinforced concrete (designed by Albert Caquot) instead of steel, more suitable for the cross-shaped statue. The outer layers are soapstone, chosen for its enduring qualities and ease of use. Construction took nine years, from 1922 to 1931. The monument was opened on October 12, 1931. The cost of the monument was $250,000. The statue was meant to be lit by a battery of floodlights triggered remotely by shortwave radio pioneer Guglielmo Marconi, stationed 5,700 miles (9,200 km) away in Rome but poor weather affected the signal and it had to be lit by workers in Rio.
The statue was struck by lightning during a violent electrical storm on Sunday, February 10, 2008. The storm caused havoc in Rio, but the statue was left unscathed because soapstone, the material forming the outer layers of the statue, is an insulator. In October 2006, on the statue's 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel (named for the patron saint of Brazil - Nossa Senhora Aparecida) under the statue. This allows Catholics to hold baptisms and weddings there.
MACHU PICCHU
Machu Picchu is a pre-Columbian Inca site located 2,430 metres (8,000 ft) above sea level. It is situated on a mountain ridge above the Urubamba Valley in Peru, which is 80 kilometers (50 mi) northwest of Cuzco and through which the Urubamba River flows. Often referred to as "The Lost City of the Incas", Machu Picchu is one of the most familiar symbols of the Empire. The Incas started building it around AD 1430 but it was abandoned as an official site for the Inca rulers a hundred years later at the time of the Spanish conquest of the Inca Empire. Although known locally, it was largely unknown to the outside world before being brought to international attention in 1911 by Hiram Bingham, an American historian. Since then, Machu Picchu has become an important tourist attraction. Machu Picchu was declared a Peruvian Historical Sanctuary in 1981 and a UNESCO World Heritage Site in 1983. Since it was not plundered by the Spanish when they conquered the Incas, it is especially important as a cultural site and is considered a sacred place. Machu Picchu was built in the classical Inca style, with polished dry-stone walls. Its primary buildings are the Intihuatana, the Temple of the Sun, and the Room of the Three Windows. These are located in what is known by archaeologists as the Sacred District of Machu Picchu. In September 2007, Peru and Yale University reached an agreement regarding the return of artifacts which Hiram Bingham had removed from Machu Picchu in the early twentieth century
CHICCHEN ITZA
Chichen Itza is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatan Peninsula, in the Yucatan state, present-day Mexico. Chichen Itza was a major regional focal point in the northern Maya lowlands from the Late Classic through the Terminal Classic and into the early portion of the Early Post classic period. The site exhibits a multitude of architectural styles, from what is called “Mexicanized” and reminiscent of styles seen in central Mexico to the Puuc style found among the Puuc Maya of the northern lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion.
The ruins of Chichen Itza are federal property, and the site’s stewardship is maintained by Mexico’s Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History, INAH). The land under the monuments, however, is privately-owned by the Barbachano family. The Maya name "Chich'en Itza" means "At the mouth of the well of the Itza." This derives from chi', meaning "mouth" or "edge", and ch'e'en, meaning "well." Itzá is the name of an ethnic-lineage group that gained political and economic dominance of the northern peninsula. The name is believed to derive from the Maya itz, meaning "magic," and (h) á, meaning "water." Itzá in Spanish is often translated as "Brujas Del Agua (Witches of Water)" but a more precise translation would be Magicians of Water. The name is often represented as Chichén Itzá in Spanish and when translated into other languages from Spanish to show that both parts of the name are stressed on their final syllables. Other references prefer to employ a more rigorous orthography in which the word is written according to Maya language, using Chich'en Itzá. This form preserves the phonemic distinction between ch' and ch,since the base word ch'e'en (which, however, does have a neutral tone vowel "e" in Maya and is not accented or stressed in Maya) begins with a glottalized affricate. The word "Itzá'" has a high rise final "a" that is followed by a glottal stop (indicated by the apostrophe).
There is evidence in the Chilam Balam books that there was another, earlier name for this city prior to the arrival of the Itza hegemony in northern Yucatán. This name is difficult to define because of the absence of a single standard of orthography, but it is represented variously as Uuc Yabnal, Uuc Hab Nal, or Uc Abnal. While most sources agree the first word means seven, there is considerable debate as to the correct translation of the rest. Among the translations suggested are “Seven Bushes,” “Seven Great Houses,” or “Seven Lines of Abnal.”
COLOSSEUM
The Colosseum or Roman Coliseum, originally the Flavian Amphitheatre is an elliptical amphitheatre in the center of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and engineering. Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96). The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia). Capable of seating 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. As well as the gladiatorial games, other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, and quarters for a religious order, a fortress, a quarry, and a Christian shrine. It has been estimated that about 500,000 people and over a million wild animals died in the Colosseum games. Although in the 21st century it stays partially ruined because of damage caused by devastating earth quakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome and its breakthrough achievements in earthquake engineering. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is also depicted on the Italian version of the five-cent euro coin. The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name, after the reign of Emperor Nero. This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial nameAmphitheatrum Caesareum; this name could have been strictly poetic. This name was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli). The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby. This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome. In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue, Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world"). This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, themasculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearbyTemple of Venus and Roma.
The name was further corrupted to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and otherRomance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).
